Epiphone 1959 ES-355 Classic White

  • Inspired by Gibson Custom Collection
  • Decke/Korpus: Ahorn/Pappel, 5-lagig
  • Griffbrett/Hals: Ebenholz / Mahagoni
  • Tonabnehmer: 2x Gibson Custombucker (HH)
  • Farbe & Finish: Classic White, VOS
  • Inklusive Hartschalenkoffer
Epiphone
Variants (1)
Epiphone 1959 ES-355 Cherry Red
Epiphone 1959 ES-355 Cherry Red Epiphone 1959 ES-355 Cherry Red Epiphone 1959 ES-355 Cherry Red
Epiphone 1959 ES-355 Cherry Red
  • Inspired by Gibson Custom Collection
  • Decke/Korpus: Ahorn/Pappel, 5-lagig
  • Griffbrett/Hals: Ebenholz / Mahagoni
  • Tonabnehmer: 2x Gibson Custombucker (HH)
  • Farbe & Finish: Cherry Red, VOS
  • Inklusive Hartschalenkoffer
1.299,00 €
so far 1.369,00 

Free shipping (DE) inkl. VAT.

Ready for shipping
Delivery time 2 - 5 working days
Delivery on Tuesday, 24.12.2024, if you order within  7 Hrs. 32 Min. with Express delivery.
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Epiphone 1959 ES-355 Hollowbody E-Gitarre in Classic White inklusive Koffer!

In Zusammenarbeit mit Gibson Custom ist Epiphone stolz darauf, die 1959 ES-355 zu veröffentlichen, eine atemberaubende Nachbildung des herausragenden ES-Modells der legendären Klasse von 1959. Es ist das Spitzenmodell der ES in all seiner Pracht, von den Abmessungen über die Konturen bis hin zu den präzisen Einlagen und dem Klangerlebnis.

Die 1959 ES-355 hat einen 5-lagigen Ahorn/Pappel-Korpus mit einem massiven Ahorn-Mittelblock für Sustain und Rückkopplungssicherheit, einen einteiligen Mahagoni-Hals mit einem 50s Rounded Medium C-Profil und ein Ebenholz-Griffbrett, das mit Block-Perlmutt-Einlagen verziert ist. Die Kopfplatte im Gibson-Open-Book-Stil ist mit Split-Diamond- und Epiphone-Logo-Inlays aus Perlmutt versehen, dazu kommen goldene Grover Rotomatic-Mechaniken und das Inspired by Gibson-Doppeldiamant-Logo auf der Rückseite.

Die 1959 ES-355 wird von zwei Gibson Custombuckern angetrieben, die mit CTS-Potentiometern, Mallory-Kondensatoren, einem Switchcraft-Pickup-Wahlschalter und einer Ausgangsbuchse handverdrahtet sind.

Ein braun-rosa Hartschalenkoffer mit dem Inspired by Gibson Custom-Logo ist ebenfalls im Lieferumfang enthalten!

Specification

  • Product number 00102020
  • Neck Mahagoni
  • Top Ahorn/Pappel
  • Body Ahorn/Pappel
  • Bridge/Tailpiece Fest
  • Scale Standard 24.75 bis 25.5 Zoll
  • Body shape Double Cut-Modelle
  • Fretboard Ebenholz
  • Gigbag / Case included Koffer
  • Handedness Rechtshändig
  • Nut width 43 mm
  • Finish Aged
  • Pickups HH
  • Colour White

Person responsible for the EU

Gibson Europe B.V.
Smallpad 15
NL-3811 MG Amersfoort
service.europe@gibson.com

Reviews

3.0/5.0
Based On 1 ratings
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A verification of the ratings has taken place as follows: Only customers who are registered in our online store and have actually purchased the product from us can submit a rating for the item in the customer account.

Good guitar with major processing flaws
Review from Reinhard on 25.10.2024
This rating has been translated automatically. Original language flag from
 verified purchase
I have had many guitars and almost all of them had defects (even the ones around 5000 - 7000 €)
But now one after the other:
First negative:
- The F-holes are not really varnished on the inside and are frayed at the bottom. Others can do this better at a price of 300 €.
- the pickguard is sharp-edged, it is not rounded, a pickguard for 20,- € is better.
- the bindings on the neck are not as high on the sides as the neck itself, on the body they are also lower than the wood. You can see it and you can feel it.
I have never experienced this before.
- The string action is much too high and the octave purity doesn't fit either. Well, that's normal and relatively easy to correct.
Conclusion:
- Sand the F-holes finely and touch them up with a touch-up pencil
- Remove the pickguard and sand it round
- Adjust string action and octave purity (flatwounds will be fitted anyway)
All in all about 4 hours of work.
I can't correct the difference in height between the bindings and the wood anyway. Maybe that's intentional ???
But now positive:
The sound is already very fine without amplification.
The amplifier then shows off the pickups' skills: the guitar can do everything from blues to funk to hard rock. And without feedback.
The playability is perfect.
That's why I won't be sending the guitar back, despite its manufacturing flaws.

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