Pronomic CM-22 Großmembranmikrofon inkl. Spinne & Windschutz - Retoure (Zustand: sehr gut)

A condenser microphone at this price with this quality is remarkable. Among more expensive microphones of several hundred euros (which I also have), this microphone stands its ground.

I am not the great expert and also have no great comparisons, so I spare me flowery words about the sound, with which I am very satisfied. I just want to say that you are in a different class with this mic than with the dynamic vocal mic.
Maybe I can say something new about the spider, because I was a bit unsettled by the many negative comments about it. But there Kirstein has apparently improved quite prima. There is now nothing more screwed but only a clamp pressed and released again when the micro is in. From the handling super and makes a solid impression, whether with other spiders the damping effect is better I can not say, but for my home recording it is enough thick. With me also trample no elephants through the room.

Am not a professional musician / sound engineer, but I can say after a direct comparison with other microphones below 150 €: The CM-22 is the clear test winner! Use the microphone together with a Pronomic M-502 (coincidence, ordered independently of each other) and record via line-in my voice on the PC: Rich sound, resonance tones come through nicely and the device offers no reason to have concerns about the longevity. Can in good conscience give a purchase recommendation for the price category <150€.

Am hardcore producer in the beginning and want in the future after the move own vocals Produzieren that was the reason why I bought this Mic
The sound quality is very good am very satisfied
For little money a very good mic
Very happy again

The great similarity of the Pronomic CM-22 large diaphragm microphone to my favorite up to that point, the Rode NTV-A1 prompted me to get more information. A video with a direct comparison of the two made me sit up and take notice, literally.

In the test, the Pronomic sounded freer, more open, almost more transparent than the Rode NTV-A1, which sounded so compact that I thought about processing it with a compressor. For hours I would not want to listen to the sound of the Rode. But the Pronomic CM-22 sounds much freer and more natural, even if somewhat "colored".

A Lewitt LCT 140 AIR serves as a direct comparison to the CM-22.
The Lewitt reproduces the acoustic guitar very naturally, but also sensitively, each tone is unadulterated. The correct position for recording (distance 30 cm, 12 fret aimed), is almost like a directional microphone.

With the CM-22, I particularly like this beautiful, free "room sound". It also forgives playing errors better, which the Lewitt reveals unaltered. The gain setting can be set higher on the CM-22.

As a sonically very interesting variation for the recording of acoustic instruments and with regard to the price, the CM-22 is a successful, convincing buy recommendation. I personally find the lightness in the recordings and the spatial imaging very good.

A praise still to the Kirstein team:
Shortly after my order, the Pronomic CM-22 was lowered in price. A short notice on my part was enough, and I already had the refund on my account! That is very customer-friendly!